It's been a little while since I've seen ¡Forward Russia!. I'd seen them three times when they were touring their most excellent first album Give Me a Wall. In particular, the gig in the Garage in searingly hot temperatures in July 2006 stands out for me as one of my all time favourite gigs, not least because of my awful drunken attempts to start a conversation with the band in the bar afterwards.

Since then, the band have gone back to the studio to record their (tricky) second album, Life Processes. I only bought it a few days before the gig, but played it enough times to be familiar with the new material by the time I arrived at KCSU. I like the venue - it's the only one that gives you the chance to meet the artists on the lift on the way up to the stage which is on the 4th floor of a very utilitarian building just off the strand. It's a great size, and being a student venue, the staff are pretty friendly.

Anyway - back to the band. Or rather, back to the band before the band. We'd caught one of the support band's entire set. They weren't bad. But weren't especially good either to be honest. Their material was a bit akin to a Mogwai tribute. But without the talent. Sorry chaps, I couldn't be bothered to find out your name. It's not that the performance was bad - it was just plain boring. And that's a shame because the band they were supporting are anything but.

It came as quite a relief then when ¡Forward Russia! did come on, and they came on in their now familiar rather cool looking band T-Shirts. They're a four piece. They're a strange looking bunch. The lead singer Tom is thin and wiry, with straggly hair, and the guitarist is a beardy type (who I think is called Whiskas - well one of them is and it seems to fit him best) and a rather cute drummer, Katie. Oh and the other one's called Rob. They started with a track called "Spring is a Condition" from the new album "Life Processes". It was a good start. From then on in, the band played a mixture of new and old, but with the clear emphasis on the new material. Tom introduced the first of the older stuff in a rather disadainful manner, acknowledging that we perhaps liked the older stuff more than the new. And to be honest, when they can be compared one against the other like they could when played live it's fairly obvious to me that the newer songs don't stand up to the older ones.

That's a real pity - as part of the charm of the band is the frenetic nature both of the music and the dancing of Tom. It's quite obvious that the new songs are at once more deliberate, more insisting that you take them a bit more seriously. But it really doesn't work as well. Even when performing the stand out song of the new album "Gravity and Heat", the band don't seem to perform with the same level of, well, madness. And like I said, that's a pity. Second albums are always difficult and I think the second album for them is just an example of this well known phenomena in music making.

They finished with the last two songs on the new album "A Shadow is a Shadow is a Shadow" and "Spanish Triangles". The former was pretty good, but I'm not a fan of the second as it's clearly a end of album/gig fadeout song. Way way too cliched for my liking.

Still, I went home happy. Perhaps I'll wait for a third album before I see them again. It's not that I don't like the newer songs, it's more that the band seem deternined that we should prefer them to the older ones. No chance, Tom. Sorry.

http://www.forwardrussia.com/

If you want to see dance music played live you can do far worse than checking out Crazy Penis (or Crazy P as they've now rebranded themselves). House music played live. Superb. If you've never seen them, and you love live music, you'll love this band. But if you want something dirty, something a little more, shall we say down to earth, a more visceral experience, you need Holy Fuck.

They're a four piece from Toronto, and their music is a little difficult to nail down. They do live electronica. But that's not helping. So, imagine two lads each with a table full of electronic equipment in front of them (keyboards, synths, effects, and weirdly a 35mm film sequencer). Add a bass. And some drums. And watch them perform.

Which brings me neatly to my point about the audience. There were lots of Geek boys there. And a few geek girls as well. The geek boy next to me stared at every unit and effect the lads set up. Studied them to see what they were, making a mental note of everything. And I don't think that's such a bad thing to do, because if he came close to some of the sounds that these boys produced I'd be impressed. They play anything from Dub influenced beats to electro, to acid techno. But nothing sticks to a formula. And the live bass and the drums just adds a fantastic edge to the performance that just wouldn't be there without them.

They built up quite a head of steam. I looked around at the crowd. There was lots of dancing and strangely some dry humping to the music. It wasn't pretty to watch. But everyone was having a good time. Geek boy next to me suddenly had an upturn in his evening as not one, but two geek girls decided it would be fun to go over to him and give him a snog right out of the blue. Poor lad didn't seem to know what hit him. He was probably still trying to concentrate on what the effects boxes were.

What did I think of them? Well, this was the second time I'd seen them. I saw them last summer at Glastonbury and to be honest I thought they were much better then. They're the sort of band I think you have to be in exactly the right state of mind to truly appreciate. If you catch my drift. But I'd still say they're a band to go and see if you can. I'm sure that won't be difficult. It's a pretty safe bet they've got a few festivals booked this summer.

http://www.myspace.com/holyfuck

"Well, this is a bit of a shithole"

Quite an opening line from our Malcy. And to be fair, I think I did well to understand him, such is the way that he mumbles in between songs. And that's a shame, because the man has such a fierce wit that when you do hear what he's saying it's invariably incredibly funny.

But anyway, back to the comment. He was being somewhat ironic. To be entirely honest, half the reason I bought the tickets in the first place was because I so wanted to actually see what the venue was like. I wasn't disappointed. My jaw dropped even as I walked through the door. The Union Chapel is a working church, arts centre and homeless project in the heart of Islington. As a music venue it's superb. The pews are arranged in a semi circle around the stage. And there's not a bad seat in the house. The lighting is simply superb as well, making best use of the interior of the building and the windows.

So, as I stared in wonder around the place, Malcolm and his band (I say band, but it was a chap on a double bass, and the fabulous Jenny Reeve on violin and vocals) came on. He started with a rendition of We're All Going to Die, his Christmas single. It was much flatter than the recording, and I thought that this gig might be a little disappointing from the sound of the song. There wasn't much wrong with it, but I'm not sure I wanted to listen to a whole set of his songs sung in such a down beat manner.

I wasn't disappointed however. I had nothing to worry about. The songs are so well written, so well performed that there was no chance that this was going to be a disappointment. Not a chance. I've not got his latest album yet, and he played a lot of material that was unfamiliar to me. But all of them, yes, all of them were electric.

I did catch a little bit of his between songs banter. He said he was quite disappointed that there was no heckling. I think there was a reason for that. I think we were all so enthralled by the quality of the performance and the beauty of the venue that was the last thing on our mind.

http://www.malcolmmiddleton.co.uk/